Plein Air Practicalities by Jim Lynch

At the end of the 19th century the Impressionists began searching for portable painting tools that would make it easier for them to paint outside. Today, we benefit from many products that would be the envy of our predecessors, such as vehicles, digital cameras, communication devices, and navigation systems. These new tools originate not only from art suppliers but also manufacturers who address the needs of outdoor enthusiasts, such as hikers, fishers, and others who seek inspiration in nature, as well as artists themselves. I have investigated many of these items, and these are my suggestions for supplies, as well as alternatives used by other artists.

LUGGAGE

The problems of portability in painting are exacerbated by international travel, and it simplifies matters greatly if you have a suitcase with wheels to carry your equipment. I have a large Orvis duffel bag on wheels that has a solid compartment on the bottom. Another option is a hard case on wheels such as a photographer might use to transport equipment.

If you are painting in a city, consider a collapsible grocery cart to transport your supplies. A backpack is a better choice when painting on the beach, in the mountains, or in the wilderness. For example, DesignStar makes the Studiopack for French box- and half-easels. The bag can hold canvases, a small chair, clothing, and supplies. Another tool is the Universal Easel-Thing. This wheeled device is similar to a cart but is designed to hold a French easel in place. The legs can be extended or retracted. I prefer to use a small standard backpack to carry my palette box and a lunch. My umbrella and easel fit in a padded case I carry over one shoulder. This arrangement leaves both hands free.

CLOTHING

Artists must be comfortable when working outdoors. Unlike the early plein air painters who needed to bundle up in layers of bulky woolens, we can take advantage of the many high-tech fabrics to stay warm and dry in inclement weather conditions. Gore-Tex is a windproof and waterproof breathable fabric that allows moisture to escape from your clothing while creating a barrier to the elements. This process is furthered if, closest to your skin, you wear a fabric that wicks away moisture. Wick-away fabrics are often labeled as such, and they are preferable to cotton, which in cold weather actually makes you colder because it absorbs your body's moisture. For an extra removable layer of warmth on cold days, Gore-Tex coveralls or insulated hunting or ski pants and jackets are ideal.

Of course, each location has its own climate peculiarities. In rainy places, I use a Gore-Tex rainsuit and waterproof hiking boots. I have also painted from the middle of a trout stream, protecting myself with fishermen's waist-high waders and boots. If you can