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Art & Design A NEW LOOK FOR A 116-YEAR OLD BOOK

By William F. Gloede
Publication: Editor & Publisher
Date: Monday, May 8 2000
Welcome to the new 'E&P,' conceived with a definite nodto the rich history of ink on paper, by Roger Black Consulting

So what do you think? During the past five months, Adweek Magazines Editor-in-Chief Sid Holt, E&P Art/Design Director Reiko Matsuo, and I have

been meeting with a design team from the Roger Black studio, talking about E&P, its history, and that of the newspaper industry. The result is the magazine you are now reading. We set out to make E&P look distinctive, from its cover, which displays a new black logo on a white background, to the "-30-" page. The interim redesign we implemented last year when our corporate parent, BPI Communications, bought
the magazine was both attractive and effective. However, we felt E&P looked too much like other magazines, our own titles included. Owing to the business it serves, E&P should be different. We believed the magazine should reflect the art of typography as it was pioneered by the newspaper industry. White space, open typefaces, and negative leading look fine in Vogue, but Vogue is not about newspapers.
From our first meeting back in December, the design team, led by Roger Black Consulting's David Matt, vice president/publication design, and including Art Director Erin Mayes, Project Manager Jennifer Manzelli, and Designer Jamie Ahn, there has been a palpable sense of excitement surrounding the redesign of E&P. We plowed though old issues of the magazine, looking for elements and traditions we could resurrect and use in the new book. We went through several iterations of our cover, including an ill-advised attempt to print the E&P logo in a gothic typeface reminiscent of many newspaper flags. Of that cover, Senior Editor Dave Astor quipped, "Looks like the Third Reich meets the Fourth Estate." We did find a place for that gothic face. You'll find it on our "Page One," the lead news page.
We borrowed liberally from the past, sometimes unintentionally. The design team settled on a logo based on old-style calligraphy that resembles quite closely the E&P logo from the early part of this century. At the time, they had not seen copies of that early E&P.
We dusted off and modernized an E&P icon from the 1930s, "The Spirit of the Press," which you also will find on "Page One." Elsewhere, we made extensive use of headlines, decks, and rules that evoke the newspaper tradition of signaling the content of stories by the type of head used. And we created a more open, art-intensive design for our "NewsPeople" and "Hot Type" pages and the regular departments.
In the coming weeks, we will also introduce a new look for E&P Interactive, our new-media section. In the meantime, we hope you like our new look as much as we do. Welcome!

(Editor & Publisher Web Site: http://www.editorandpublisher.com)
(copyright: Editor & Publisher May 8, 2000)

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