After more than two decades as Depeche Mode's lead vocalist, Dave Gahan is singing a different tune: His own.
Paper Monsters, due June 2 on Reprise Records, marks Gahan's debut as a solo artist and his first stab at songwriting.
"This is my story," he says. "I'm finally getting to reveal who I am and what I'm about."
Three years ago, after Depeche Mode finished touring to support Singles 86-98, Gahan's friend, drummer Victor Indrizzo, introduced him to guitarist Knox Chandler, who has worked with the Psychedelic Furs and R.E.M. The two started writing songs together in Chandler's home studio in New York's East Village—a short trip from Gahan's home in the West Village.
"It felt so natural, I don't know why I hadn't done it before," Gahan says.
When Gahan stopped to work on Depeche Mode's Exciter weeks later, he had already written a dozen songs.
"He's incredibly musical," Chandler says. "He's not just a singer in a band."
After Exciter was finished and the accompanying tour ended, Gahan returned to his solo project. With producer Ken Thomas (Sigur Rós) at the helm, Paper Monsters was recorded in 10 weeks last summer at New York's Electric Lady Studios.
The songs range from such dreamy, slow tracks as "Hold On" and "Stay" to harder, darker fare like "Black & Blue Again" and the set opener and lead single, "Dirty Sticky Floors."
"The song is about somebody slowly destroying themselves," Gahan says of the single, noting that the lyrics draw on personal experience. "But there's a lot of hope in there . . . and a sense of humor as well."
Voice of Depeche Mode
Creating an identity for Gahan independent of Depeche Mode is one of the label's toughest tasks.
Reprise senior VP of marketing Craig Kostich is striving to assert a strong solo presence for the album and Gahan without ignoring the obvious connection.
"It's not Depeche Mode but a solo record from the voice of Depeche Mode," he says.
Getting that dual message across —that this project is related to the popular group, yet distinct from the band's catalog—is a primary goal of Reprise's promotional efforts.
Web and viral marketing plans are in place, as well as a TV advertising campaign that started two weeks ahead of the album's release.
"It's going to be hard for him to do anything that's not considered a new Depeche Mode single," WBRU Providence, R.I., music director Alicia Mullin says.
Even Mullin herself cannot help comparing Gahan's first solo single to the band's earlier work.
"It's no 'Enjoy the Silence,' " she says, referring to Depeche Mode's 1990 top 10 hit. "But his voice is amazing."
"Dirty Sticky Floors" is already getting airplay at triple-A and modern-rock radio. It is scheduled to expand onto hot modern-AC stations when the album hits stores. A maxi-single featuring club remixes of the song streeted May 27.
The first 25,000 albums released will include a limited-edition DVD that features the "Dirty Sticky Floors" video, footage of acoustic live performances of "Hold On" and "A Little Piece" shot in New York, a photo gallery, and a behind-the-scenes film about the making of the album.
Gahan's European concert tour starts in June, and it will cover 18 markets. After that, Gahan will return to the States for a 20-city tour, kicking off July 18 in Atlanta.
During his shows, Gahan will perform a few Depeche Mode songs—including "Personal Jesus," "I Feel You," and "Never Let Me Down"—in addition to his solo material.
Gahan is not the only Depeche Mode member pushing a solo project. Counterfeit 2, a collection of covers sung by Depeche Mode guitarist/songwriter Martin Gore, was released April 29, also on Reprise.
"They are being linked" in Internet marketing, Kostich says, "but we're selling two individual solo albums. To lump them in as two-thirds of Depeche Mode is not really fair to each artist."
The solo projects do not portend the end of the group, Gahan assures.
"I'm sure there will come a time when Depeche will go back in the studio and make another record. But for the moment, Paper Monsters is where it's at for me."