The Iraq War loomed large in the 2005 Pulitzer Prizes for photography.
The staff of the Associated Press, including five Iraqi photographers and six foreigners, was awarded the Pulitzer Prize for Breaking News Photography for its yearlong coverage of the combat in
Iraq.
Deanne Fitzmaurice, a 16-year veteran of the
San Francisco Chronicle, has won the Pulitzer for Feature Photography for her photo essay on an Oakland hospital's effort to treat a 9-year-old Iraqi boy severely maimed in an explosion.
AP director of photography
Santiago Lyon singled out the Iraqi stringers for praise, saying they responded with bravery to a dangerous assignment.
"The situation [in Iraq] really deteriorated in March last year with the lynching of the civilian contractors in Fallujah, and we've come to rely more and more on our Iraqi staff," Lyon says. "They have to worry about both sides of the conflict, the insurgent side and the coalition side, so they're walking a fine line in the middle there."
AP's winning portfolio begins with
Khalid Mohammed's harrowing photo of Iraqis celebrating as the charred bodies of the U.S. contractors hang from a bridge over the Euphrates River. Other photos depict soldiers on both sides of the battles in Najaf and Fallujah, as well as civilians caught in the middle of the conflict.
In addition to the Iraqi photographers, AP veterans
John Moore, Anja Niedgringhaus and
Brennan Linsley contributed to the win.
Jim MacMillan, who took a yearlong hiatus from the
Philadelphia Daily News to cover the war for AP, contributed three photos to the winning portfolio.

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© San Francisco Chronicle / Photo by Deanne Fitzmaurice Though usually upbeat, Saleh was sensitive about his appearance. One afternoon, when he saw other children staring at him, Saleh became angry and upset. Nurses sought to soothe him by taping a felt tip pen to this arm so he could draw pictures. Saleh drew an airplane dropping bombs. |
Fitzmaurice won for "Operation Lion Heart," a multi-part essay that traces the treatment and difficult recovery process of 9-year-old Saleh Khalaf, who lost an eye and both hands in an explosion in Nasiriya in 2003. Rescued by an American surgeon and transported to a Bay Area hospital, Saleh gradually improved and came to symbolize hope and determination.
Fitzmaurice says the story began as a daily assignment, but after spending an hour with Saleh, she and reporter
Meredith May knew the story needed to be explored in greater depth. Once she convinced director of photography
Randy Greenwell of the story's importance, Fitzmaurice was able to spend much of the next year following its many twists and turns.
"He brought the war home to us," Fitzmaurice says of Saleh. "He's an absolute inspiration."
When word reached Iraq that Saleh and his father had been airlifted to the United States, Fitzmaurice says insurgents in Iraq spread rumors that Raheem was a U.S. spy. Wanted posters were distributed around Raheem's hometown in Iraq, dooming the family's return. This led Saleh's mother to flee and Raheem to apply for asylum for himself and his son.
Fitzmaurice says the article helped reduce the asylum application process from years to a matter of weeks.
Fitzmaurice and May later traveled to Jordan to photograph Saleh's mother and her three other children as they left Iraq; the family's tearful reunion in San Francisco brought the story full circle.
"The whole time [Saleh] was in the hospital he just wanted his mother and he kept asking for her," Fitzmaurice says. "What a great way to tell the story of war--through a little boy here in our community."
Both runners-up in the feature category were nominated for photos relating to Iraq.
Jim Gehrz of the
Minneapolis Star Tribune was nominated for an essay depicting the recovery of a female soldier injured by a roadside bomb in Iraq. Gehrz was chosen as Newspaper Photographer of the Year in the NPPA's
contest last month.
Luis Sinco of
The Los Angeles Times was also nominated in the feature category for his portrait of an exhausted U.S. Marine after a daylong battle in Iraq. The photo created a minor stir when it was published because it depicted a soldier smoking a cigarette, and
The New York Post ran it on the cover with a headline "The Marlboro Man."
The Indian Ocean tsunami, the biggest international disaster in modern history, did not curry as much favor with the judges as the Iraq-related stories. In the breaking news category, Reuters photographer
Arko Datta was nominated as a finalist for his picture showing a woman grieving for a relative killed in the deadly wave. Datta's photo won
World Press Photo of the Year, but couldn't make Pulitzer history; no non-U.S.-based news service has ever won a Pulitzer.
The Palm Beach Post staff was also chosen as a finalist in the Breaking News category for its "imaginative and panoramic coverage of hurricanes that struck Florida."
Related Links
AP's Breaking News PortfolioFitzmaurice's Feature Photography PortfolioFitzmaurice's Moment Of Jubilation (www.sportsshooter.com)