I wish to correct some mistakes in your article on Daniel Bourla's The Noah (see DVD review by Dan Georgakas, Cineaste, Vol. XXXII, No. 2) and my role in its resurrection.
The article correctly notes the only public screening of the film was on CUNY-TV in 1997. Then the problems begin. The article states: "Among those who saw it was Phil Hall, writing for Film Threat, a film magazine that prides itself on bucking the cinematic Establishment. Hall greatly enjoyed the film, but, as befits the film's strange history, inexplicably did not write about it until 2005! That rev