Weapon of mass instruction Michael Moore's Fahrenheit 9/11.(Critical Essay)

Since the American release of Fahrenheit 9/11, Michael Moore has been hailed by the left as the new Tom Paine, denounced by his right wing opponents as the incarnation of Joseph Goebbels and Leni Riefenstahl, and compared by film critics to such disparate figures as Sergei Eisenstein and Kenneth Anger. Moore has become a lightning rod for hyperbolic praise and disgust, and the vigorous, and unusually vehement, responses to his bracingly sardonic anti-Bush salvo are probably as moth aligned with the polarization produced by this unsavory administration's invasion and occupation of